Posts tagged ‘Sophia Loren in fur’

2011/05/15

FurGlamor’s Top 12 Actresses

Comments on the last post got me to thinking a little harder about my favorites, so I decided to try and get them down, all official-like. So here is my entirely subjective personal opinion on the top 12 fur wearing actresses of the last 80 or so years (mostly minus the last 20 since they… sucked). If you’re thinking I started with 10 then remembered some more, then you’re absolutely correct. After I post this, I’ll probably remember a lot more.

Greta Garbo

This list technically covers fur wearers only, but Garbo is also on top of my all time most-attractive list, with or without fur. It’s the face, really. That face is the greatest ever, and for once I’m not alone in having that opinion. Actually, all of these women share that quality, the face is what I first “fall” for, Garbo just does it best.

Greta Garbo - Inspiration - 1931

Greta Garbo - Inspiration - 1931

Notable Fur Films: Inspiration

Marlene Dietrich

I really went controversial with the top 2, picking two of the most highly regarded women in the world. Dietrich has the face and the furs to frame it with, and certainly a sultry voice to back up the entire package.

FurGlamor- Marlene Dietrich - Shanghai-Express - 1932

Marlene Dietrich - Shanghai-Express - 1932

Notable Fur Films: Shanghai Express, Pittsburgh, The Scarlet Empress (lots of fur, but way too “period” for my tastes.)

Barbara Stanwyck

Her films from the 30’s are the source of some of the best furs filmed, and she certainly backed them up with beautiful features and masterful performances. If there’s going to be a “tough broad” in the picture, than Barbara is the one for the job.

FurGlamor - Barbara Stanwyck - The Mad Miss Manton - 1938

Barbara Stanwyck - The Mad Miss Manton - 1938

Notable Fur Films: Breakfast for Two, Baby Face, Lady of Burlesque, The Mad Miss Manton

Joan Crawford

As usual, the sad, wish-it-weren’t-needed, caveat of “early” Joan. Her youth and beauty in the 30’s and early 40’s was exquisite. We can just conveniently overlook what happened later.

FurGalmor - Joan Crawford - The Bride Wore Red - 1937

Joan Crawford - The Bride Wore Red - 1937

Notable Fur Films: Mannequin (1937), The Bride Wore Red, They All Kissed the Bride, Ice Follies of 1939

Ann-Margret

That face and that wonderful red hair, a beautiful combination. Red is my favorite hair color, and I generally like it like I like my fox fur coats: lacking any shred of subtly. Ann’s fame put her in some of the “lean” years of fur fashion, but she managed to find her way into some stunning fox coats from time to time, like this one in Once A Thief, a film I’ve not yet seen.

Ann-Margret - Once A Thief - 1965

Ann-Margret - Once A Thief - 1965

Notable Fur Films: The Swinger, Once A Thief (maybe)

Natalie Wood

Broken record at this point, but I said what I liked at the top and Natalie Wood is, in fact, another pretty face. I could even imply something stereotypical like: Miss Zakharenko’s Russian heritage makes her natural in fur. Much like Ann, she experienced super stardom in the 50’s and 60’s, which makes it more difficult to find her in great furs.

FurGlamor - Natalie Wood - The Great Race - 1965

Natalie Wood - The Great Race - 1965

Notable Fur Films: The Great Race

Sophia Loren

I don’t think Italian heritage can make for any dumb statements about how well you wear fur, but it certainly didn’t hurt Miss Loren’s lovely features. Her most productive years were similar to Natalie’s and Ann’s, so finding Sophia in exceptional furs is a little tricky, but there are a few gems.

FurGlamor - Sophia Loren - The Millionairess - 1960

Sophia Loren - The Millionairess - 1960

Notable Fur Films: The Millionairess

Morgan Fairchild

Ah, the 1980’s report in at last. Miss Fairchild embodied the 80’s blonde in big furs, and she did so with the utmost glamor and class. If there was an 80’s mega fox coat in the picture, she probably wearing it. After saying that, here’s a shot of her in lynx.

FurGlamor - Morgan Fairchild - Paper Dolls - 1984

Morgan Fairchild - Paper Dolls - 1984

Notable Fur Films and TV: Paper Dolls, Any other 80’s soap she was ever on, most likely

Anna May Wong

Absolutely gorgeous in fur, though sadly not afforded nearly as many opportunities to wear it as her contemporaries. If I had a time machine, I’d go back and fix that. If nothing else, that suggests I have really bad priorities.

Anna May Wong - Piccadilly - 1929

Anna May Wong - Piccadilly - 1929

Notable Fur Films: Piccadilly

Hedy Lamarr

Hedy’s lovely features are framed by my second favorite hair color: black. Not dark brown, or really dark brown, or even so-dark-brown-it’s-almost black; no: black. This kind of black is a gleaming obsidian set off so nicely by a thick, white fox. There’s some good films with Hedy in fur, but they’re harder to find for some reason.

Hedy Lamarr in White Fox Fur. 1938

Hedy Lamarr in White Fox Fur. 1938

Notable Fur Films: I Take this Woman

Joan Collins

This may be a controversial choice only because she’s so low on the list. If it makes any ardent Joan fans feel any better, this is like the top 10 of all actresses ever, so, percentile wise, this is still huge. Joan is actually here more for the 70’s than the 80’s, since Morgan covers that. She pretty much nails it in The Bitch. I know, date-wise that’s almost a technicality, but it’s still the 70’s.

Joan Collins - The Man Who Came to Dinner - 1972

Joan Collins - The Man Who Came to Dinner - 1972

Notable Fur Films and TV: The Bitch, Dynasty

Lucille Ball

The downside is strong, but much like ignoring what happened later with Miss Crawford, assuming Miss Ball’s career ended in the mid 40’s means she’s one of the fur wearing greats in film. Back when she was young and doing films, she was quite the classic beauty, and commonly draped in beautiful furs.

FurGlamor - Lucille Ball - Dance Girl Dance - 1940

Lucille Ball - Dance Girl Dance - 1940

Notable Fur Films: Annabel films, Dance, Girl, Dance, Easy to Wed

That wraps up my current top 12, at least until I remember more. Feel free to try and help me out in the comments. Or suggest that I’m wrong, and also a doo-doo head; you can do that too.

Bonus points for throwing out names of any actress from the last 20 years. I should point out you’ll need to do better than one or two furs, and, if you’ve been reading for any amount of time, you should know I’m not going to look kindly on any suggestion that includes mink. There are a number of modern actresses I’d like to put on the list, but they can’t make the grade fur-wise.

2011/01/23

Furs on Film – The Millionairess

I am a big fan of Sophia Loren, but the trajectory of her international stardom rests firmly in the late 50’s and 60’s. Those were the years fur fashion was merely phoning it in, a dreary wasteland of minks that were better suited to funerals than glamorous ladies on the big screen. Loren compounded this problem by doing a lot period and western genre pieces. History teaches us the only westerns with big fox furs in them starred Mae West. Thankfully, there’s at least one bright spot.

The Millionairess – The Film

The film is about the epicly named Epifania Parerga, a spoiled (not madcap) heiress. Not just any old heiress, the richest one in the world, who is having some dude trouble. Due to one of those plot device wills that seem ever so less common these days, has to marry a guy who can turn a profit in 3 months, a system she readily games. Finding no love that way, she eventually meets and falls in love with humble inner-city doctor named Kabir, played by Peter Sellers, doing Indian instead of French. Naturally humble inner-city doctors rebuff rich heiresses every day, so their love takes another couple acts to fully bloom, but, you know the drill, happy endings all around.

The Millionairess – The Furs

The richest woman in the world can apparently afford to buck the fashion tends of the day, a fortunate development for our viewing pleasure. Epifania wears 4 furs in the film, and 3 of them are actually interesting.

There’s a brief glimpse of fur number one before a full viewing while Epifania visits her psychiatrist after an unsuccessful suicide attempt. A very funny one, of course.

Later we get to see more of this lynx wrap on a windy day at the banks of the Thames. Sadly this, like the third entry, is filmed entirely in fairly wide shots. Still, it hangs around for a while and we get to enjoy Miss Loren adjusting it and her hair constantly in the breeze.

And here’s the rich nougaty center of the film. This is a long sequence where Epifania attempts to win Kabir’s love by showing him the big state-of-the-art clinic she built next door to his crappy one. While doing so, she wears this outfit, trimmed with rich, thick white fox fur.

Since the sequence is so long, they had to make with the closer shots from time to time.

The story even has an x-ray machine gag. It’s a comedy.

There’s a lot of Peter Sellers in these shots, almost makes me wish for the pan-and-scan version. Though then there’d be even more “solo” shots of him, and I’d have to cut more.

Final view, the sequence ends with a good shoot of Miss Loren they quickly mar with an overlay of the next sequence.

Later, Epifania shows up to again declare her intent and outline the terms of that will, the one where Kabir has to turn a profit of 15k on 500 pounds in 3 months. She does so in a lovely chinchilla wrap that, like the lynx wrap at the beginning, is mostly filmed wide.

There’s a very few shifts in camera angles for this one, though they pull in a little closer at one point.

Oh… is that how this works? You give me money? Awesome!

Finally, in something of a nod to the time, the costumer eventually relents and allows her wear this reasonably pedestrian wrap. Looks like ermine, but I wouldn’t rule out a sheared mink. At least it’s white and not brown.

For the time, this is an impressive film. Lynx, fox, and chinchilla, all in a film with the big “C” saying 1960. Even more notable that the most screen time is given to the white fox collar and cuffs and not one of the more (comparatively) conservative options. Sophia Loren is in her prime and looking magnificent, well suited to be framed by big fox furs. Sadly that was quite the rarity throughout her film career. The cinematographer wasn’t really up to the task of documenting just how magnificent she looked, relying far too much on wide shots, never allowing us to linger for very long on this beauty alone and in richly detailed close up.

Fur Runtime: approx 11 minutes
Film Runtime: 90 minutes
On-Screen Fur Ratio: 12%

Full Gallery: Fur Fashions of the 1960 film The Millionairess