There are two furs in the movie… and this. It is a peacock feather jacket worn by Joan during flashbacks and at the film's end. I include it for the sake of completeness and because, if I didn't, I'm sure I'll get a comment like, “I swear there was another fur in that movie….” There was not, I assure you.

Joan has a couple of pretty decently long scenes wearing this shorter-haired red fox stroller. The first is intercut with the scene that you're all here for. So you get a little two-for-one action.

She finds her ex, Mike (Alan Rosenberg), in the back of the gas station and has a long chat while wearing the red fox.

While they're chatting, Paul makes a house call with this lady, Ann Mason (Alberta Watson). She's looking very cordial in a full-length lynx fur coat.

Joan remains at the gas station, getting an exposition dump from Mike, including his claim he can see the future or something. Again, this is six or so years pre-X-Files. Honestly, if I was going to cut between a “fur coat seduction” scene and anything else (I wouldn't), it would at least be another scene with a fur coat. So, kudos, White of the Eye.

Ann is undoubtedly friendly with her local handymen, which is just common courtesy.

Paul briefly resists.

Briefly.

The scene isn't particularly explicit for those interested, even though the film has an R-rating.

Later Joan does a little investigating of her own. Once again, she's prowling the desert in her red fox stroller.

Sadly, the peacock feather jacket is given the honor of accompanying Cathy Moriarty through the climax of the film. I suspect this choice was intentional to bookend the flashbacks where she wore it when she first met Paul. “Cinema” is all well and good until it forces poor fashion decisions.

Because it's funny, here's a still showing Cathy's stunt double mid-leap into a reservoir. Nice wig.