Posts tagged ‘gray fox’

2009/10/18

Furs in Film – The Dolly Sisters

Films show up here for 2 reasons, what I’ve come to call “1 Epic Fur” or “Fur Overload.” 1 Epic Fur is pretty obvious, that’s the The Great Bank Hoax from last week, or the poster child of the entire “genre” The Awful Truth. Fur Overload is the Roberta‘s of film, a bunch of good stuff all in one place. Sometimes there are crossovers, such as The Dolly Sisters, which is loaded with beautiful furs, and anchored by something that would make it noteworthy if there weren’t a single other fur in the entire film.

The Dolly Sisters – The Film

The film The Dolly Sisters is a biopic of the real Dolly Sisters, who were identical twins famous for working in early film and on Broadway in the early 19th Century. Though the original sisters were identical twins (and brunettes), there wasn’t a spare Betty Grable laying around so in the film, the sisters aren’t quite so identical. June Haver fills in as the other sister, and she looks quite a bit like Betty, though no one is going to confuse the two. The film traces their rise from Hungarian emigrants to stardom, though the ending is a bit happier than it was in reality, especially for Jenny Dolly.

The Dolly Sisters – The Furs

This film is full of great fur fashion, though one particular piece does stand out above all the rest. Since it’s better to save it up for the end, so to speak, I’m going to run through the furs outside of the film’s chronological order. I’m also going to shamelessly add something that I know isn’t really fur, but looks pretty good nonetheless. The Dolly Sisters is well stocked all around, in terms of both the stars and supporting characters in lovey foxes and another furs.

We do open somewhat chronologically with the Sisters Dolly, Betty Grable and June Haver, doing a little command performance set up by Uncle Latsie (S.Z. Sakall playing the “S.Z. Sakall role”). Yes, those are feathers, not fur, but ultimately they’re meant to be evocative of fur, and they’re nice and big, and pastel, so I’m including them.

This film is interesting in that Betty Grable doesn’t show up in gray fox, something her costume designers saw fit to wrap her in many times over her film career (Moon over Miami, Down Argentine Way, etc.). Gray fox does make an appearance in this reasonably short sequence.

As the Dolly sisters grow in prominence, they do some shows in Paris. These ladies appear as part of the opening to one of their stage performances. Not sure why they decided to divorce the cigarette holder from the white fox stole.

The sisters, successful, return home in these heavily mink trimmed coats. When the “trim” is the entire sleeve, that’s trim I can love. The big shawl collars are a perfect match.

This is Jenny Dolly’s love interest Harry Fox (John Payne), and her romantic rival in the story, Lenora Baldwin (Trudy Marshall), tastefully outfitted in a fox stole the likes of which probably wasn’t all that common for the time period, but these are the kind of anachronisms I enjoy the most.

We’re going to skip to the happy ending of the film for a moment, where many Jenny and Harry reunite at the big show. Here’s the show’s MC, who’s got an excellent white fox collar going on there.

Lenora holds onto Harry, oblivious that she’s about to lose this little romantic entanglement. It’s hard to tell here, but she’s wearing a black fox stole over her arm.

Better close up of the MC’s fox collar. No, can’t remember who this is, but she wears “giant white fox collar” well.

Close up of Trudy Marshall as Lenora, with the black fox stole on her shoulder this time.

Here’s the best shot of the stole and the collar together. The black fox stole has a full three tiers, very nice and full, and makes for a nice juxtaposition to the big white fox collar.

And here we are, the reason The Dolly Sisters would be on this site if there weren’t a single other fur in the film. This coat is technically only “trim” but this is my favorite kind… the kind where is damn hard to tell it’s only trim.

Fortunately the director of photography was obviously no dummy, and set up this shot just to show off this beauty in its entirety. As you can see, it is in fact an enormous set of white fox cuffs and huge fox collar, backed up by the trim along the sweep of the coat.

Closer now, the ¾ shot gives us the perfect view of the best part of this coat, the collar and cuffs in all their silky white glory.

This part of the film chronicles a real incident in Jenny Dolly’s life, a car accident in 1933. Perhaps the date explains the giant white fox coat.

In the movie Jenny loses control of the car and she, and this amazing white fox coat, careens over a cliff. In the movie she awakens later with a band-aid on her face.

In the film, Jenny Dolly recovers fully and reunites with her man at the show with the MC and her white fox collar shown earlier above. The Dolly Sisters is a musical from 1945, so happy endings were pretty much mandatory. The reality was that after the wreck and the subsequent set of surgeries (not just a band-aid), the real Jenny Dolly hung herself in her hotel room in 1941. Yeah, that would have been a bit of a downer ending for a big budget musical, so they played around a little with the facts. Historical inaccuracies aside, the film provides a great showcase for fur fashion, and the massive white fox trimmed coat from Jenny’s accident is one of the best you’ll find anywhere.

Full Gallery – Fur Fashions of The Dolly Sisters

2008/11/06

Furs In Film – Let’s Do It Again

The fact that there was a 50 year gap between the 30’s and 80’s is troubling to say the least for those of waiting for the next fashion cycle to look kindly upon the idea of huge fur coats. This is not to say though that those 40 years were completely devoid of “inspirational” furs. (Admittedly, the 70’s weren’t half bad.)

Let’s Do It Again – The Film

I’ve found the 50’s, though somewhat hung up on shorter haired, far more conservative fur coats, to have been a heyday of very large fox stoles. From 1953, Let’s Do It Again boasts one of the single largest ever committed to film. Why? Perhaps it isn’t coincidence that Let’s Do It Again is based on the same play as an earlier film, 1937’s The Awful Truth.

Like many 50’s remakes, this one is a musical, and again takes us down the madcap, zany path of jealousy and divorce. Jane Wyman fills in for Irene Dunne as Connie Stuart, married (and remarried later) to Gary, played by Ray Milland. Connie intends to make her husband jealous with a hayseed named Frank McGraw played by Aldo Ray. Divorce and eventual reconciliation ensue. Who cares, on with the fur…

Let’s Do It Again – The Furs

Jane Wyman starts things off with a comparatively conservative gray fox wrap. This richly gray fox is a fur Betty Grable was put in quite a bit.

I won’t belabor the wrap, it’s a fine “appetizer”.

This is the “main course.” Four tiers of floor length blush fox stole. The sheer size of this mega fox is fully revealed when first encountered.

Though the massive white fox coat from The Awful Truth slips away far too soon, the remake does a fine job of showcasing this beauty from all angles.

Another closer show, giving a peak into the rich depths of the full blush fox fur.

Jack gives Connie a ride back home. The giant fox stole covers virtually every inch of Jane Wyman.

Finally they arrive, where hi-jinks ensue and eventually Miss Wyman sheds this wonderful piece for good.

The stole may be the showcase fur, but Let’s Do It Again isn’t completely finished. Later Connie visits a party in particularly “sexy” mood, donning this ensemble of fur wrap, fur muff, and long cigarette holder.

The sequence is short, but incredibly sensual as she vamps down the hallway wearing the furs and the holder.

I’m not certain what kind of fur this is. Seen it on Kay Francis before, and it’s certainly very full and visually appealing. The large fur muff is quite memorable.

A petty gripe with Let’s Do It Again would have to be Jane Wyman’s signature hairstyle. Readers may be able to infer I’m not a particular fan of severely short hairstyles. A couple extra feet of rich brunette would have settled nicely on that giant fur stole.

Fur on Film Gallery – Let’s Do It Again