Furs on Film – Silk Stockings

The 1950s weren’t entirely a wasteland of “elegant and tasteful” (read: boring) mink. There were exceptions, usually in the form of stoles, and this next update is the poster child of 1950’s fox stoles. It also contains my main weakness… pink dyed fox. Silk Stockings is, like fox stoles, something the 50’s presented a lot of: musical remakes of “old” films. In this case the old film was 1939’s Ninotchka. Ninotchka is one of Greta Garbo’s last films, and committed the cardinal sin of presenting her as a Russian who wore no fur at all. Silk Stockings doesn’t quite make up for this, but it’s a solid film nonetheless.

Silk Stockings – The Film

The plot of the film follows the main beats of Ninotchka, but the excuses for the characters being where they are have been tweaked a bit, mostly because this is one of those musicals that provide the thinnest excuse for people to sing. Fred Astaire plays a film producer who snags a Russian composer to write music for his films. The Kremlin sends agents to get him back, but they are corruped by “decadent” western ways. They then send Ninotchka Yoschenko, a true fan of Communism, to bring them all back, proving to be a tougher nut to crack. Since this is 50’s musical, though, said nut is cracked and everyone lives happily ever after in the decadent western paradise.

Silk Stockings – The Furs

Perhaps in homage to the original, Agent Yoschenko is, sadly, not clad in any decadent western fur coats. These are left to the character of Peggy Dayton (Janis Paige), who is the star of producer Steve Canfield’s (Fred Astaire) film. Given the choice, I would have preferred Cyd Charisse be the one swathed in big fox stoles, but, given a real choice, I would have picked Greta Garbo over either of them.

Peggy Dayton arrives, to the film, and the plot, in a big way. It’s a 50’s musical, so entrances are important, and this one is done with a white fox stole and muff combo.

The shot is pretty much wide throughout, sadly. I could have used a closer view of this outfit.

Later, Miss Dayton and Agent Yoshenko briefly meet up, with their contrasting styles on clear display.

Cyd departs, leaving us with an extended conversation between Canfield and Dayton, with Janis Paige vamping around in this wonderful dyed fox stole.

The film’s insistence on wide shots is somewhat frustrating. Though I’m ordinarily no fan, I would have liked the opportunity to direct the “pan-and-scan” cut of the film. Granted, people might wonder where Fred Astaire went to after a while…

Widescreen does have its uses, as this glamor pose on the couch, wrapped in thick dyed fox, does Miss Paige well.

Finally we come to that strange, somewhat rarity… the fur clad musical number. This one features my fashionable Achilles heel… pink dyed fox. I love pink fox, let me just say that directly. I think most fox is a little more “in your face” from a fashion perspective, and brightly dyed versions play that up nicely.

In this musical number, Peggy is trying to “convince” the Russian composer to work for Steve Canfield.

I would have signed up pretty quickly, but it’s a long musical number so it takes some time.

Sadly the big pink fox trim doesn’t hang around the whole time, but in taking it off, the film actually does something akin to a closeup, which is impressive, considering.

Overall this is a great example of 50’s fox stoles, and an even better example of great dyed fox. Still, it suffers for its legacy, as throughout my thoughts drifted first to thinking of Cyd Charisse in those fox stoles, then, to the great one herself, Greta Garbo, who would have filled them out gloriously. Well, Garbo filled out any fur gloriously, so that’s not really saying much, I know. Apologies to Janis Paige, of course, but really, can’t think of many women who would weather a Garbo comparison.

Despite having almost 7 minutes of fur, the ratio is pretty slim because this is (as I believe I’ve pointed out before) a 50’s musical and they were generally pushing the duce / duce-and-a-half mark.

Fur Runtime: approx 7 minutes
Film Runtime: 117 minutes
On-Screen Fur Ratio: 5%

The full gallery is here: Fur Fashions of the 1957 film Silk Stockings.

4 Responses to “Furs on Film – Silk Stockings”

  1. It is a shame that Janis Paige’s part could not have been the main character; when ladies in the fifties wore fox it certainly was impressive. I wonder why her outfits had such a short screen time; after all people then loved glamour and furs like that were the epitomy of it. Cyd Charisse seem to play the stereo-typical Russian ‘Miss Drab’.
    This film reminds me very much of the film (the title of which I cannot remember) where Katharine Hepburn plays a Russian army officer and Bob Hope plays the American and shows her how awful communism is; well I suppose it is.

  2. Well, in both films the Soviet agent is supposed to be ‘drab’, sadly. Can’t blame them for paying attention to the plot, I suppose.

    Still, I would have preferred the other “stereo-type”: a vampy fur clad version of the Russian spy, sweeping around in a big full length silver fox and matching hat.

Trackbacks

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: