Furs on Film – Times Square Lady

If you were paying attention to the last update, this one shouldn’t be a surprise. Or maybe it should be, since I actually “found the time” to do it. We return to the warm, thick fox blanket that is the 1930’s with Times Square Lady, a 1935 film staring Virginia Bruce.

Times Square Lady – The Film

Time Square Lady is the story of a Toni Bradley (Virginia Bruce), a 22 year old woman from Iowa, future home of James T. Kirk, who inherits some “business interests” from her father. Turns out very few of them are “on the level” and some of the older interests in said businesses, headed by executor of her father’s estate, Mr. Fielding, want her out. On her side, and eventual love interest, is the manager of her night club, Steve Gordon (Robert Taylor). Will Toni and Steve defeat the gangsters and live happily ever after? Of course they will, this is a film from 1935.

Times Square Lady – The Furs

Lucky for us, Toni wasn’t exactly poor before she took over dad’s businesses. From the moment we meet her to the end of the film, she’s got quite a number of furs in her wardrobe, including one of the finest examples of a silver fox fur muff ever committed to the screen.

The film opens with Mr. Fielding looking for Toni at the station. He tries two different women, both in furs, before he finds her.

Strike two…

Third times’ a charm as Mr. Fielding finds Toni, in the best fur of the bunch, of course, a lush lynx collar.

The film’s costumers must have thought Virginia Bruce looked great in lynx, and I won’t argue with that.

Fortunately, she looks even better in silver fox. Particularly this lovely example of a very large silver fox muff, one of the best I can remember.

This entire sequence is about her meeting the other interests in her father businesses, and it provides a good 3 minutes of footage of the muff and matching silver fox fur collar.

Included are a couple very nice close ups of Virginia Bruce neatly framed with the silver fox collar.

Still, the star of the sequence is the silver fox muff, and it receives all the attention it deserves.

At this point, the remainder of the film is a bit of a downward slope. Still, Virginia appears once again in lynx for a moment, with this trimmed jacket. A fine addition to the wardrobe.

Finally we get to the coat that I’ll grandfather in for the sake of being particularly complete, this full length fur that may be mink and may be a different short-haired fur. I’m open to opinions on it, and will update if there’s compelling evidence it’s not mink.

We get a tiny taste of more fox at the very end, as Toni and Steve are whisked off by steamer to the credits, standing on the deck and waving good-bye with these ladies and their fox collars.

Toni is wearing another fur here, as well, a collar that may also be mink or not, and very much is included for purely academic purposes.

A well stocked film from both the quality and the time perspectives. The oversized silver fox muff is the real highlight. I’m on the fence as to whether it eclipses the white fox muff from Lady of Burlesque. While slightly smaller and lacking tails, it certainly isn’t marred by some annoying giant silver bird broach. Virginia Bruce’s other lynx furs were fine supporting players. The “brown paper bag” furs I could take or leave, of course. The film also has a few “bit” furs, more so than was common even in this era. Clocking in with a good 15% ratio makes Times Square Lady one of the best I’ve reviewed in some time.

Fur Runtime: approx 10 minutes
Film Runtime: 68 minutes
On-Screen Fur Ratio: 15%

The full gallery is here: Fur Fashions of the 1935 film Times Square Lady.

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