Furs in Film – Libeled Lady (1936)

From 1936, we have Jean Harlow and Myrna Loy draped in some beautiful furs for the film Libeled Lady. Not sure what it is about divorce, but man, toss that into the plot, and the designers seem to really break out the furs. This film had no roots in anything but the script that birthed it, though it was remade later as Easy to Wed.

What’s excellent about Easy to Wed is they dressed almost exactly the same way. I’ll get to Easy to Wed later. Much like a sequel, though, it didn’t quite live up to the original’s quality.

Libeled Lady – The Film

Libeled Lady tells the story of Connie Allenbury, who sues a newspaper for 5 million bucks for, you guessed it, libel. Miss Allenbury was falsely accused of breaking up a marriage, in other words, causing a divorce. The newspaper’s editor (Spenser Tracy) sends suave lady’s man reporter Bill Chandler (William Powell in “The William Powell Role”) to catch her en flagrante delicto with him when his wife walks in.

The “wife” is Jean Harlow, and she is only posing as the wife at the behest of the paper’s editor. Complications arise, multiple divorces occur, and everyone lives happily ever after. Or rather, they all end up arguing when “The End” title card shows up.

Libeled Lady – The Furs

Bill Chandler’s plan to catch the lovely, wealthy Miss Allenbury starts on a cruise ship. It’s cold in the Atlantic, and Connie shows up for dinner in a beautiful cape.

Myrna Loy in a White Fox Fur Cape - Libeled Lady 1936

Connie is with her father, so Bill has to chat them both up simultaneously.

Myrna Loy in a White Fox Fur Cape - Libeled Lady 1936

Some girlfriends arrive, who are far less interestingly dressed.

Myrna Loy in a White Fox Fur Cape - Libeled Lady 1936

Cinematographers are to be rewarded when they care enough to give a glimpse of all sides of a classic white fox cape like this:

Myrna Loy in a White Fox Fur Cape - Libeled Lady 1936

Up next, Jean Harlow, as the faux bride Gladys Benton wears what is probably just a marabou feather sleeved nightgown. Those “cuffs” are basically sleeves.

Jean Harlow in a White Feather Cuffs - Libeled Lady 1936

Jean leaves the feathers behind for this jacket/cape.

Jean Harlow in a Chinchilla Fur Jacket - Libeled Lady 1936

An exciting design, the collar looks like an errant sleeve cuff hanging off her shoulder.

Jean Harlow in a Chinchilla Fur Jacket - Libeled Lady 1936

Finally, as the screwball hi-jinks reach their apex, Miss Harlow spends the last ten minutes or so of the film in this dress coat with an enormous fox collar and trim. It’s there right up until the closing credits.

Jean Harlow in a Fox Fur Collar - Libeled Lady 1936

This shot shows the full dress coat in its entirety. The wide collar would probably be enough, but the lower-trim bookends nicely.

Jean Harlow in a Fox Fur Collar - Libeled Lady 1936

The collar literally fills the screen in this reaction shot, which occurs only once and is entirely too brief at about 2 seconds. Perfect framing:

Jean Harlow in a Fox Fur Collar - Libeled Lady 1936

I’d like to think Myrna admires that collar in this shot in a relatively roomy bathroom. Then I realize my mind is wandering a bit too far.

Jean Harlow in a Fox Fur Collar - Libeled Lady 1936

Libeled Lady doesn’t skimp on Jean Harlow’s last huge fox-trimmed dress. As mentioned, she literally spends the last 10 minutes of the film wearing it, and it’s right there as it fades to credits. In terms of quality, Myrna Loy’s white fox cape is probably my preference, but the massive collar of Harlow’s dress is definitely the very close runner-up.

One thought on “Furs in Film – Libeled Lady (1936)

  1. […] TCM finally showed Easy to Wed again, so I can do my “remake comparison post”. The idea of remaking things as musicals didn’t start in the 50’s. No that trend started a while back, and Easy to Wed is one of the examples from the 40’s. What film was it? Well, something long time readers will be familiar with: Libeled Lady. […]

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