Furs on Film – Snapshot

How bout that Ozploitation flick? This one is fun for a few reasons (not to actually watch, mind you). It’s one of the first I’ve posted with a unique combination of multiple release titles and a severed pig’s head. TCM showed it as Snapshot, as that was the name it was released under in its country of origin, Australia. It can also be found under the title One More Minute (as in the IMDb), and also as The Day Before Halloween or The Night After Halloween, both a transparent attempt to capitalize on the recent success of Carpenter’s film in the states at the time.

Should note the quality of the caps is a little lower than I’d like. Amazingly, the version TCM showed was a 16:9 ‘zoom’ of a 4:3 pan-and-scan. Basically, you’re looking at the least amount of actual film possible, like seeing a movie through a keyhole.

Snapshot – The Film

Sigrid Thornton stars as Angela, a hairdresser who becomes friends with Madeline, an actress played by Chantal Contouri. Madeline convinces Angela to drop the hairdresser gig and become a model. On a shoot for a cologne ad we get to see both of Angela’s talents (this one is rated R, kids). Angela becomes the next big thing in Australian modeling, but she has some baggage with an ex boyfriend who follows her around in an ice cream truck and may or may not be trying to kill her. The ex isn’t the only suspect, and it wouldn’t be a “thriller” if he was. Madeline ends up liking Angela… a lot, (a lot, a lot), further mixing things up. Apparently there’s a twisty sort of ending, but I can’t be sure since Chantal wasn’t wearing any furs there so I wasn’t paying attention.

Snapshot – The Furs

Chantal Contouri as the actress / model who propels Angela into what passes for for the film’s plot also wears all the fur in the film. Not only that, but at least half time she’s wearing those furs she’s smoking as well.

Madeline and Angela meet at the hairdressers. Madeline enters in this so very 70’s horizontally striped red fox jacket.

Red fox was particularly popular in the 70’s it seems. Not my favorite natural shade (I prefer far more unnatural dyed shades of red), but Madeline has a couple in her fur wardrobe.

At the shoot, just before Angela and her chest meet the celluloid, Madeline gives her a little pep talk, like the concerned, supportive friend she is. This is her other major fur in the film, though again, hard to see thanks to the cut. I do enjoy the fact that she’s basically “popped the collar” here.

Here we are the club, a location with which viewers of the film will become quite familiar. The club scenes are a perfect illustration of why I take the time to edit clips in the first place, as otherwise they’d be unbearable. It’s here we find Madeline in her other red fox coat, in a long sequence that’s interrupted routinely by a horrible cabaret singer.

Smoking in her furs, Madeline watches Angela dancing in the club. The remainder of the sequence may be less-than-favorably be referred to as “filler,” but this is certainly my favorite kind.

After minutes of casual, detached smoking, Madeline intervenes when it appears Angela has met a new male friend, seriously inhibiting the rest of his evening. There may be subtext to this, but it’s totally lost on me.

Leaving the club, we see this is full length red fox coat, unlike the one from earlier in the film.

After more of the things that pass for events in this film happen, we find ourselves back at the club. Madeline finds Angela again, striding through the collected patrons in a long white mink coat with a cigarette holder perched high in her right hand. I like where Madeline is going with her fashion choices.

The cinematographer and the broadcast display issues contrive to make this more difficult than it should be, but we do get half a closeup of Madeline smoking with her cigarette holder in the white mink. This one was all too short.

If you were hoping to get a better view of the ‘pep-talk’ fur from earlier, here it is. This walk and talk gives a good chance to take in the fur, which I’ve studiously avoided naming because I’m not entirely sure what it is. Opinions are welcome.

Brief closeup of Chantal Contouri’s character framed with the large collar.

Back at the club… again, with Madeline smoking in the same fur coat, this time mostly in a background shot.

Finally we see the same fur one last time as Angela visits Madeline on the set, finding her relaxed with her fur and, yes, smoking once more. Seriously, even I have to say you should probably cut back a bit Maddy.

Yet another little obscure fur fashion gem that TCM aired, along the lines of Darktown Stutters. Granted, I doubt they were airing it because of the furs. Great examples of 70’s furs in this, and yes, I admit Madeline’s bad habit is one I enjoy viewing, from a distance, at least. Since there’s still no 70’s or 80’s nostalgia channels yet, can’t pass up the opportunity to post these when I find them. The ratio isn’t particularly great, but the quality definitely makes up for it.

Fur Runtime: approx 9 minutes
Film Runtime: 92 minutes
On-Screen Fur Ratio: 10%

Full Gallery: Fur Fashions of the 1979 film Snapshot

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